Henri-Gabriel Hibel "Lescamouches" 1896
From a corner of Paris: A phantom poster where satire and art intersect
"L'Escarmouche" by Henri-Gabriel Ibels (1867–1936) was created as an advertising poster for the satirical weekly magazine L'Escarmouche (The Skirmish), which was first published in 1896.
With working-class men, a bar counter, and a group of soldiers visible through a window as a backdrop, Ibel depicted the everyday life of ordinary Parisians in the Belle Époque, overlapping with the unrest of the time. Ibel's friend Toulouse-Lautrec also contributed to the magazine, and together they recorded the Parisian scenes of the time in an intimate yet somewhat ironic way.
This poster has an unusual history in that due to the legal system at the time, it was not permitted to be displayed on the street, and could only be displayed indoors and sold. The magazine in which it was published, Lescamouches, ceased publication after only three months, making this a rare piece that was only published for a limited period of time.
This work is included in the lithograph collection "Les Maîtres de l'Affiche" (Masters of the Poster) and is blind stamped (embossed) by the publisher in the lower right corner.
Information
Artist: Henri-Gabriel Ibels
Title of work: L'Escarmouche
Year of production: 1896 Condition: Lithograph, included in "Masters of Posters" with blind stamp Size: approx. 40.1 x 29.1 cm
Artist / Title : Henri-Gabriel Ibels / L'Escarmouche (Lithograph from Les Maîtres de l'Affiche , Plate 6, ca.1896)
*The frame in the image is for reference only. Please contact us regarding framing.
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Framing options
This work is normally offered unframed, but upon request, we are happy to offer custom framing options at our gallery.
The content is focused on UV-blocking acrylic and artistic harmony. For details and prices, please click here.
▶ [Framing plan information (PDF)]
When ordering, please write "I would like it framed" or feel free to contact us.
Framing options
This work is usually provided unframed so that you can enjoy the original charm of the work as it is, taking into consideration the preservation of the paper and its use as a collection.
If desired, we offer a custom framing plan (additional charge) in which we will select and suggest a frame for you. We can frame your work with consideration for artistic balance, the color of the work, and harmony with your interior decor.
- Various frames available, including wooden frames and gold leaf decorated frames
- Uses UV-blocking acrylic (emphasis on preservation)
- Proposals based on your desired size and installation environment
When ordering, please indicate "framed" or contact us separately. We will help you find the perfect framing to bring out the best in your artwork.
The content is focused on UV-blocking acrylic and artistic harmony. For details and prices, please click here.
▶ [Framing Plan Information (PDF)]
About the condition
This work is an original antique print created over 100 years ago.
All works sold by Rivoli Antiques are genuine pieces of artistic value printed at the time, and are not later reproductions or copies.
Due to their nature, antique prints rarely come with individual certificates of authenticity like contemporary works.
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At Rivoli Antiques, we carefully select our items based on the trust we have built through many years of collaboration with museums and experts.
We only introduce works that you can safely add to your collection.
Natural fading and stains may appear over time, but these are also proof of the era the piece has passed through and are elements that convey the texture of the materials and techniques used to create it.
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At Rivoli Antiques, we have a track record of lending works to the Tokyo National Museum and the British Museum, and we present works according to museum-level selection criteria.
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