![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 2] (both sides No. 107 & 108)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-107.jpg?v=1748922324&width=1700)
![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 2] (both sides No. 107 & 108)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-108.jpg?v=1748922324&width=1700)
![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 2] (both sides No. 107 & 108)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-108-framed.jpg?v=1748922324&width=1700)
Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 2] (both sides No. 107 & 108)
After completing their pilgrimage in the East, the pilgrims return humming sacred songs as they finally set foot in the castle hall. Awaiting them is Jaufre, whose heart is trembling after their long separation. The pilgrims gather in his arms, their eyes overflowing with tears. Were those tears of sadness, or of inexpressible emotion?
Work Description
The chapter depicts the reunion of Jaufre with the Apostles, who have returned from their pilgrimage. They appear accompanied by lingering prayers and chants, and the decoration at the top of the page adds a solemn feeling. In a circular scene, Jaufre embraces the pilgrims, tear tracks visible on his cheeks. In the background, a train of birds and ears of wheat symbolize fruition, reunion and the fruits of faith.
The words of the oldest pilgrim exude a deep trust in Jaufre, as he describes the quiet miracles brought about by the journey and the grace he felt in a foreign land. In the following 108 pages, the pilgrims report to Jaufre about their journey, describing the beauty of the foreign sky, the tranquility of the starry night, and their encounter with the "Princess of Tripoli."
They still remember the sweetness of the princess's voice and the brightness of her gaze, and praise her as "the one who brought light to a distant land." With this description, Ilse's existence reaches Jaufre as legendary "gospel." The affection and beauty that are remembered beyond time and distance - their lingering echoes are deeply engraved on the pages, along with the supple decorations of Art Nouveau.
This work is included in the lavishly illustrated book "Ilse of Tripoli," published in German in 1901.
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Title : Illustration from "Ilse, Princess of Tripoli"
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Artist : Alphonse Mucha (1860–1939)
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Year of production : 1901
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Technique : Color lithograph (double-sided printing)
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Size : Approx. 30 x 20 cm (paper surface)
*The frame in the image is for reference only. Please contact us regarding framing.
Related links
If you would like to know more about the works, please visit Ribo Antiques' special page (separate site).
"Alfons Mucha and 'Ilse, Princess of Tripoli' | The appeal of the story and illustrations"
Framing options
This work is normally offered unframed, but upon request, we are happy to offer custom framing options at our gallery.
The content is focused on UV-blocking acrylic and artistic harmony. For details and prices, please click here.
▶ [Framing plan information (PDF)]
When ordering, please write "I would like it framed" or feel free to contact us.
Framing options
This work is usually provided unframed so that you can enjoy the original charm of the work as it is, taking into consideration the preservation of the paper and its use as a collection.
If desired, we offer a custom framing plan (additional charge) in which we will select and suggest a frame for you. We can frame your work with consideration for artistic balance, the color of the work, and harmony with your interior decor.
- Various frames available, including wooden frames and gold leaf decorated frames
- Uses UV-blocking acrylic (emphasis on preservation)
- Proposals based on your desired size and installation environment
When ordering, please indicate "framed" or contact us separately. We will help you find the perfect framing to bring out the best in your artwork.
The content is focused on UV-blocking acrylic and artistic harmony. For details and prices, please click here.
▶ [Framing Plan Information (PDF)]
About the condition
This work is an original antique print created over 100 years ago.
All works sold by Rivoli Antiques are genuine pieces of artistic value printed at the time, and are not later reproductions or copies.
Due to their nature, antique prints rarely come with individual certificates of authenticity like contemporary works.
Therefore, where you buy and who is in charge of selecting the works are of utmost importance.
At Rivoli Antiques, we carefully select our items based on the trust we have built through many years of collaboration with museums and experts.
We only introduce works that you can safely add to your collection.
Natural fading and stains may appear over time, but these are also proof of the era the piece has passed through and are elements that convey the texture of the materials and techniques used to create it.
You can also come and see the paintings in person at the gallery to check their condition, so please feel free to contact us if you have any questions.
About the store and reliability
At Rivoli Antiques, we have a track record of lending works to the Tokyo National Museum and the British Museum, and we present works according to museum-level selection criteria.
We have established a system that allows you to purchase and collect with peace of mind.
Please feel free to contact us for collection creation or consultation.
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