![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 3, Chapter 3, Last] (double-sided No. 127 & 128)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-127.jpg?v=1748730770&width=1700)
![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 3, Chapter 3, Last] (double-sided No. 127 & 128)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-128.jpg?v=1748730773&width=1700)
![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 3, Chapter 3, Last] (double-sided No. 127 & 128)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-127-framed.jpg?v=1748730773&width=1700)
Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 3, Chapter 3, Last] (double-sided No. 127 & 128)
--"The End of a Dream and a Prayer of Flowers"
This story begins like a dream and ends like a prayer. On pages 127-128, the curtain quietly falls on the story. Those facing death and those watching. Silence, tears, and flowers envelop everything, leaving only the afterglow of love and fantasy.
Work Description
These are the final two pages of "Princess Ilse of Tripoli."
No. 127 tells the story of the death of her friend Eymardine and a quiet depiction of Ilse's "eternal sleep." Amid a mix of religious motifs and fantasy, the composition is reminiscent of a monastery's stained glass windows, creating a solemn scene of prayer and farewell. The coat of arms-like decoration in the center can be interpreted as a sun wheel, symbolizing death, rebirth, and the eternal cycle.
The next 128 pages bring the story to a symbolic conclusion: Guided by a dream, Ilse arranges a tranquil burial for her dead lover. Roses and violets are offered as "the final oil of dreams," and a fantastical forest of lilies blooms overnight on his grave.
She herself retreats to a monastery on the African coast that was once built by European women, and ends her life in prayer. Meanwhile, in the faraway town of Blaye, there are people who continue to wait forever for the young knight's return. At the end of the story, the castle "collapses into the black waters," a symbolic expression, and the absence of love, dreams, and memories lingers deeply.
The flying angels, plant motifs, and fluttering butterflies within the decorative frame simultaneously symbolize the tranquility of death and the lightness of dreams, marking the culmination of this work as a pictorial poem of the Art Nouveau style.
This work is included in the lavishly illustrated book "Ilse of Tripoli," published in German in 1901.
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Title : Illustration from "Ilse, Princess of Tripoli"
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Artist : Alphonse Mucha (1860–1939)
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Year of production : 1901
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Technique : Color lithograph (double-sided printing)
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Size : Approx. 30 x 20 cm (paper surface)
*The frame in the image is for reference only. Please contact us regarding framing.
Related links
If you would like to know more about the works, please visit Ribo Antiques' special page (separate site).
"Alfons Mucha and 'Ilse, Princess of Tripoli' | The appeal of the story and illustrations"
Framing options
This work is normally offered unframed, but upon request, we are happy to offer custom framing options at our gallery.
The content is focused on UV-blocking acrylic and artistic harmony. For details and prices, please click here.
▶ [Framing plan information (PDF)]
When ordering, please write "I would like it framed" or feel free to contact us.
Framing options
This work is usually provided unframed so that you can enjoy the original charm of the work as it is, taking into consideration the preservation of the paper and its use as a collection.
If desired, we offer a custom framing plan (additional charge) in which we will select and suggest a frame for you. We can frame your work with consideration for artistic balance, the color of the work, and harmony with your interior decor.
- Various frames available, including wooden frames and gold leaf decorated frames
- Uses UV-blocking acrylic (emphasis on preservation)
- Proposals based on your desired size and installation environment
When ordering, please indicate "framed" or contact us separately. We will help you find the perfect framing to bring out the best in your artwork.
The content is focused on UV-blocking acrylic and artistic harmony. For details and prices, please click here.
▶ [Framing Plan Information (PDF)]
About the condition
This work is an original antique print created over 100 years ago.
All works sold by Rivoli Antiques are genuine pieces of artistic value printed at the time, and are not later reproductions or copies.
Due to their nature, antique prints rarely come with individual certificates of authenticity like contemporary works.
Therefore, where you buy and who is in charge of selecting the works are of utmost importance.
At Rivoli Antiques, we carefully select our items based on the trust we have built through many years of collaboration with museums and experts.
We only introduce works that you can safely add to your collection.
Natural fading and stains may appear over time, but these are also proof of the era the piece has passed through and are elements that convey the texture of the materials and techniques used to create it.
You can also come and see the paintings in person at the gallery to check their condition, so please feel free to contact us if you have any questions.
About the store and reliability
At Rivoli Antiques, we have a track record of lending works to the Tokyo National Museum and the British Museum, and we present works according to museum-level selection criteria.
We have established a system that allows you to purchase and collect with peace of mind.
Please feel free to contact us for collection creation or consultation.
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