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![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 1] (both sides No. 57 & 58)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-58-framed.jpg?v=1748659096&width=1700)
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Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 1] (both sides No. 57 & 58)
The girls were running along the beach, their voices like silk swaying in the sea breeze. Their white skin was wet with sunlight, and their laughter and splashes melted into the ocean's turbulent waves. The gaze of the young girl, Tentilla, was quieter than anyone else, dreaming of that moment.
Work Description
This scene is an illustration for a passage in Chapter 1 of Part 2 of "Ilse of Tripoli," depicting young girls frolicking before bathing. In the story, Tentyra and her friends are depicted in a delicate manner as they enjoy bathing at the seashore, and emotions such as jealousy, friendship, and admiration intersect.
In the illustration for No. 57, women are depicted strikingly as they head off to bathe, their soft naked bodies fluctuating between shyness and dynamism. By decoratively intertwining fluttering clothing with flocks of birds, Mucha expresses the sea, sky, and the vitality of nature as one poetic world.
No. 58 depicts the moment when Tentilla is moved to tears by the innocent words of the other girls, and quietly takes off her clothes as she heads to the shore. Her figure, depicted from behind, is beautiful and ephemeral, symbolizing the coexistence of innocence and emotional maturity. The repeated plant patterns and wave decorations in the background celebrate the harmony with nature that is a characteristic of the Art Nouveau style, and add a fantastical quality that is unique to Mucha.
This scene goes beyond a simple everyday scene; it is a poetic moment that visualizes the awakening of youthful sensibility and the delicate fluctuations of emotion.
This work is included in the lavishly illustrated book "Ilse of Tripoli," published in German in 1901.
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Title : Illustration from "Ilse, Princess of Tripoli"
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Artist : Alphonse Mucha (1860–1939)
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Year of production : 1901
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Technique : Color lithograph (double-sided printing)
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Size : Approx. 30 x 20 cm (paper surface)
*The frame in the image is for reference only. Please contact us regarding framing.
Related links
If you would like to know more about the works, please visit Ribo Antiques' special page (separate site).
"Alfons Mucha and 'Ilse, Princess of Tripoli' | The appeal of the story and illustrations"
All Authentic. All Original.
--All genuine, all original.
This work is an original antique print made over 100 years ago.
All works sold at Rivoli Antiques are genuine works of artistic value that were printed at the time, and are not later reproductions or copies.
Framing options: Framing that preserves and enhances the appearance
Framing options: Framing that preserves and enhances the appearance
At Rivoli Antiques, we offer the best framing suggestions for each piece to bring out the best in antique prints and lithographs from the late 19th century.
We offer framing suitable for collections, with a focus on artistic harmony, paper preservation, and compatibility with interior décor, and we use UV-blocking acrylic as standard.
List of framing plans
Simple gold-rimmed plan
The frames are discreet and elegant, with slim gold or black aluminum frames and white or cream mats.
- UV-blocking acrylic
- White or cream matte (color can be specified)
- Backside treatment and hanging hardware included
Price (tax included):
B5: ¥11,000 / B4: ¥13,200 / B3: ¥17,600
Antique style frame plan
The combination of a carved gold leaf wooden frame and off-white mat creates a classical atmosphere that brings out the depth of the artwork.
- UV-blocking acrylic
- White or cream matte (color can be specified)
- Backside treatment and hanging hardware included
Price (tax included):
B5: ¥13,200 / B4: ¥16,500 / B3: ¥22,000
Classic Decorating Plan
The heavy gold-leaf-decorated wooden frame and cream-colored mat create a sophisticated finish that will look great on display.
- UV-blocking acrylic
- White or cream matte (faceplate available)
- Backside treatment and hanging hardware included
Price (tax included):
B5: ¥15,400 / B4: ¥19,800 / B3: ¥26,400
*The above "B5, B4, B3" notations are size classifications only as a guide.
B5: 25.7cm/B4: 36.4cm/B3: 51.5cm
Please consider the size of your framing plan to be approximately 5 to 10 centimeters larger than the artwork.
(If the artwork size is 23 x 15 cm, 23 + 5 = 28 cm, which is equivalent to B4 size.)
In fact, depending on the aspect ratio and layout of the work, we will suggest the optimal framing size, from not only "B size" but also "8-cut" and "O-goromo" sizes.
Common Specifications
- UV-blocking acrylic (UV 92% or more)
- Back surface finish (with hanging hardware and protective plate)
- Thick matte backing (color can be specified)
- Estimated delivery time: Approximately 10 to 14 days (varies depending on traffic conditions)
How to order
Please write "I would like it framed" in the "Comments" section of the product page.
Or, please feel free to contact us using the contact form.
We will propose the best framing solution, taking into consideration the balance with the wall surface and existing framing.
Framing example gallery
Simple gold-rimmed plan
This plan features simple beauty, using understated and elegant frames and mats.
Antique style frame plan
Classical carvings and gold leaf-like decorations add depth to the artwork and the space.
Classic Decorating Plan
The frame is made with a gorgeous decorative frame, making it perfect for elegant displays.
inquiry
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About the condition
This work is an original antique print created over 100 years ago.
All works sold by Rivoli Antiques are genuine pieces of artistic value printed at the time, and are not later reproductions or copies.
Due to their nature, antique prints rarely come with individual certificates of authenticity like contemporary works.
Therefore, where you buy and who is in charge of selecting the works are of utmost importance.
At Rivoli Antiques, we carefully select our items based on the trust we have built through many years of collaboration with museums and experts.
We only introduce works that you can safely add to your collection.
Natural fading and stains may appear over time, but these are also proof of the era the piece has passed through and are elements that convey the texture of the materials and techniques used to create it.
You can also come and see the paintings in person at the gallery to check their condition, so please feel free to contact us if you have any questions.
About the store and reliability
At Rivoli Antiques, we have a track record of lending works to the Tokyo National Museum and the British Museum, and we present works according to museum-level selection criteria.
We have established a system that allows you to purchase and collect with peace of mind.
Please feel free to contact us for collection creation or consultation.
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