![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 1] (both sides No. 59 & 60)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-59.jpg?v=1748731767&width=1700)
![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 1] (both sides No. 59 & 60)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-60.jpg?v=1748731767&width=1700)
![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 1] (both sides No. 59 & 60)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-60-framed.jpg?v=1748731767&width=1700)
Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 1] (both sides No. 59 & 60)
A visionary scene where the boundary between dream and reality becomes blurred.
In this scene, Princess Ilse is depicted quietly watching her maids bathe.
Her gaze is filled with dignified serenity and sadness, and the story quietly delves into her inner world.
Work Description
On page 59, the mood of the innocent maids changes completely with the appearance of Ilse, sitting on the shore. Surrounded by floral motifs, her eyes are described as "so clear that the earth was not fit to look at, so cold as steel, and so full of mercy." Her presence is as if she came from beyond the realm of fantasy - her beauty and sadness quietly captivate the reader, like a mystical flower blooming at the edge of the Sahara.
On page 60, Mucha's distinctively decorative composition appears. The princess appears from between gold and purple curtains, wearing a thin white robe and depicted with the lightness of the sea's breath. On her head is a crown of opals that emits a fiery blue light, and her hair sways like seaweed - her figure seems to belong to "another world" where nature and mystery intersect.
"Only the sky meant anything to her, and all the blue of the earth was in her eyes."
This description, which concludes with this line, suggests that Ilse is not just a princess, but a spiritual being imbued with mystery and melancholy.
This work is included in the lavishly illustrated book "Ilse of Tripoli," published in German in 1901.
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Title : Illustration from "Ilse, Princess of Tripoli"
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Artist : Alphonse Mucha (1860–1939)
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Year of production : 1901
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Technique : Color lithograph (double-sided printing)
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Size : Approx. 30 x 20 cm (paper surface)
*The frame in the image is for reference only. Please contact us regarding framing.
Related links
If you would like to know more about the works, please visit Ribo Antiques' special page (separate site).
"Alfons Mucha and 'Ilse, Princess of Tripoli' | The appeal of the story and illustrations"
Framing options
This work is normally offered unframed, but upon request, we are happy to offer custom framing options at our gallery.
The content is focused on UV-blocking acrylic and artistic harmony. For details and prices, please click here.
▶ [Framing plan information (PDF)]
When ordering, please write "I would like it framed" or feel free to contact us.
Framing options
This work is usually provided unframed so that you can enjoy the original charm of the work as it is, taking into consideration the preservation of the paper and its use as a collection.
If desired, we offer a custom framing plan (additional charge) in which we will select and suggest a frame for you. We can frame your work with consideration for artistic balance, the color of the work, and harmony with your interior decor.
- Various frames available, including wooden frames and gold leaf decorated frames
- Uses UV-blocking acrylic (emphasis on preservation)
- Proposals based on your desired size and installation environment
When ordering, please indicate "framed" or contact us separately. We will help you find the perfect framing to bring out the best in your artwork.
The content is focused on UV-blocking acrylic and artistic harmony. For details and prices, please click here.
▶ [Framing Plan Information (PDF)]
About the condition
This work is an original antique print created over 100 years ago.
All works sold by Rivoli Antiques are genuine pieces of artistic value printed at the time, and are not later reproductions or copies.
Due to their nature, antique prints rarely come with individual certificates of authenticity like contemporary works.
Therefore, where you buy and who is in charge of selecting the works are of utmost importance.
At Rivoli Antiques, we carefully select our items based on the trust we have built through many years of collaboration with museums and experts.
We only introduce works that you can safely add to your collection.
Natural fading and stains may appear over time, but these are also proof of the era the piece has passed through and are elements that convey the texture of the materials and techniques used to create it.
You can also come and see the paintings in person at the gallery to check their condition, so please feel free to contact us if you have any questions.
About the store and reliability
At Rivoli Antiques, we have a track record of lending works to the Tokyo National Museum and the British Museum, and we present works according to museum-level selection criteria.
We have established a system that allows you to purchase and collect with peace of mind.
Please feel free to contact us for collection creation or consultation.
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