![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 3] (both sides No. 87 & 88)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-87.jpg?v=1748733055&width=1700)
![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 3] (both sides No. 87 & 88)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-88.jpg?v=1748733058&width=1700)
![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 3] (both sides No. 87 & 88)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-87-framed.jpg?v=1748733058&width=1700)
Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 3] (both sides No. 87 & 88)
The Pilgrims' Words, and Ilse's Questions <br data-start="78" data-end="81">After completing their journey, the pilgrims speak to Princess Ilse of the memories of their spiritual journey. Memories of the soil of the holy land they trod on in search of God's footprints, of the tears and faith they shed there. Ilse listens to their stories, and then quietly asks a question. She tries to visualize a "map of pain" through which they passed on the path of suffering and prayer.
Work Description
In this spread, the story enters a flashback told by the pilgrim, revealing the essence of the spiritual journey. On page 87, angels, symbols of resurrection, are lined up in the sky as decoration, and at the bottom is a statue of a goddess with outstretched wings and a morning glow, visually emphasizing the sacredness of the pilgrimage and the image of sunrise = rebirth.
In the story, the pilgrims recount their journeys through harsh landscapes, kneeling at the sacred site where Jesus Christ was buried, praying where Mary's tears fell, and searching for the Lord's footsteps. On page 88, wild roses frame the page, symbolizing purity and devotion in the midst of suffering.
The pilgrims speak of their determination to leave their homes for their duty and faith, even while remaining close to their loved ones, and of the pain and prayers they felt in the land they walked. Ilse is deeply touched by their stories and tries to imagine the "landscape of suffering" they walked through. In these pages, her spiritual growth and awakening to faith gently lead her to the heart of the story.
This work is included in the lavishly illustrated book "Ilse of Tripoli," published in German in 1901.
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Title : Illustration from "Ilse, Princess of Tripoli"
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Artist : Alphonse Mucha (1860–1939)
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Year of production : 1901
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Technique : Color lithograph (double-sided printing)
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Size : Approx. 30 x 20 cm (paper surface)
*The frame in the image is for reference only. Please contact us regarding framing.
Related links
If you would like to know more about the works, please visit Ribo Antiques' special page (separate site).
"Alfons Mucha and 'Ilse, Princess of Tripoli' | The appeal of the story and illustrations"
Framing options
This work is normally offered unframed, but upon request, we are happy to offer custom framing options at our gallery.
The content is focused on UV-blocking acrylic and artistic harmony. For details and prices, please click here.
▶ [Framing plan information (PDF)]
When ordering, please write "I would like it framed" or feel free to contact us.
Framing options
This work is usually provided unframed so that you can enjoy the original charm of the work as it is, taking into consideration the preservation of the paper and its use as a collection.
If desired, we offer a custom framing plan (additional charge) in which we will select and suggest a frame for you. We can frame your work with consideration for artistic balance, the color of the work, and harmony with your interior decor.
- Various frames available, including wooden frames and gold leaf decorated frames
- Uses UV-blocking acrylic (emphasis on preservation)
- Proposals based on your desired size and installation environment
When ordering, please indicate "framed" or contact us separately. We will help you find the perfect framing to bring out the best in your artwork.
The content is focused on UV-blocking acrylic and artistic harmony. For details and prices, please click here.
▶ [Framing Plan Information (PDF)]
About the condition
This work is an original antique print created over 100 years ago.
All works sold by Rivoli Antiques are genuine pieces of artistic value printed at the time, and are not later reproductions or copies.
Due to their nature, antique prints rarely come with individual certificates of authenticity like contemporary works.
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We only introduce works that you can safely add to your collection.
Natural fading and stains may appear over time, but these are also proof of the era the piece has passed through and are elements that convey the texture of the materials and techniques used to create it.
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At Rivoli Antiques, we have a track record of lending works to the Tokyo National Museum and the British Museum, and we present works according to museum-level selection criteria.
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