![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 3] (both sides No. 89 & 90)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-89.jpg?v=1748578791&width=1700)
![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 3] (both sides No. 89 & 90)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-90.jpg?v=1748578791&width=1700)
![Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 3] (both sides No. 89 & 90)](http://rivoliantiques.com/cdn/shop/files/mucha-ilsee-89-framed.jpg?v=1748579992&width=1700)
Alphonse Mucha, "Ilse, Princess of Tripoli" illustrations [Part 2, Chapter 3] (both sides No. 89 & 90)
A journey to a sacred place enveloped in mysterious light.
--This is a fantastical conversation between pilgrims where prayer and recollection intersect.
The story of Princess Ilse of Tripoli is nearing its end, and the stage now moves to the holy land, Jerusalem.
During the pilgrimage, people speak of the memories of the land where God once walked.
There were tears, prayers and eternal words engraved on it.
[Work description]
This illustration shows a scene from the story that runs from pages 89–90.
Pilgrims pray at the holy ground where Jesus is said to have walked.
Memories of the songs of Bethlehem and the blood on the clover in the Garden of Gethsemane arise before their eyes, and soon those emotions are quietly expressed in words.
On page 90, an old pilgrim sheds tears, and Princess Ilse asks the reason for his tears.
As he responds, "The Lord has not heard our prayers," a quiet, lingering feeling of faith and despair hangs over us.
Mucha's images combine religious symbolism with Art Nouveau decoration, imbuing them with a spirituality that transcends painting and storytelling.
In particular, the depictions of the characters on page 90, which are based on green, exude a mystical quality that seems to personify faith itself.
This work is included in the lavishly illustrated book "Ilse of Tripoli," published in German in 1901.
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Title : Illustration from "Ilse, Princess of Tripoli"
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Artist : Alphonse Mucha (1860–1939)
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Year of production : 1901
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Technique : Color lithograph (double-sided printing)
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Size : Approx. 30 x 20 cm (paper surface)
*The frame in the image is for reference only. Please contact us regarding framing.
Related links
If you would like to know more about the works, please visit Ribo Antiques' special page (separate site).
"Alfons Mucha and 'Ilse, Princess of Tripoli' | The appeal of the story and illustrations"
All Authentic. All Original.
--All genuine, all original.
This work is an original antique print made over 100 years ago.
All works sold at Rivoli Antiques are genuine works of artistic value that were printed at the time, and are not later reproductions or copies.
額装オプションのご案内 ─ 保存と美観を両立するフレーミング
額装オプションのご案内 ─ 保存と美観を両立するフレーミング
リボリアンティークスでは、19世紀末のアンティーク版画・リトグラフの魅力を最大限に引き立てるため、作品ごとに最適な額装をご提案しております。
美術的な調和、紙の保存性、インテリアとの親和性を大切に、紫外線カットアクリルを標準採用した、コレクションにも適した額装をご提供しております。
額装プラン一覧
シンプル金縁プラン
細身の金縁または黒のアルミ製フレームと、白またはクリーム色マットを使用。控えめで上品な額装です。
- 紫外線カットアクリル
- 白またはクリーム色マット（色指定可）
- 裏面処理・吊り金具付き
価格（税込）：
B5：¥11,000 ／ B4：¥13,200 ／ B3：¥17,600
アンティーク調フレームプラン
彫刻入りの金箔調木製フレームと生成りマットの組み合わせ。クラシカルな雰囲気で作品の深みを引き立てます。
- 紫外線カットアクリル
- 白またクリーム色マット（色指定可）
- 裏面処理・吊り金具付き
価格（税込）：
B5：¥13,200 ／ B4：¥16,500 ／ B3：¥22,000
クラシック装飾プラン
重厚な金箔装飾の木製フレームとクリーム系マットを使用。展示にも映える格調高い仕上がりです。
- 紫外線カットアクリル
- 白またはクリーム色マット（面金対応可）
- 裏面処理・吊り金具付き
価格（税込）：
B5：¥15,400 ／ B4：¥19,800 ／ B3：¥26,400
※上記の「B5・B4・B3」表記はあくまで目安としてのサイズ区分となります。
B5：25.7cm／B4：36.4㎝／B3：51.5㎝
額装プランのサイズは作品＋5~10センチを目安にお考え下さい。
（作品サイズ23×15㎝の場合、23＋5＝28㎝のためＢ４相当となります。）
実際には、作品の縦横比やレイアウトに応じて、「B判」だけでなく「八つ切り」「大衣」などから最適な額装サイズをご提案いたします。
共通仕様
- 紫外線カットアクリル（UV92％以上）
- 裏面仕上げ（吊り金具・保護板つき）
- 厚手マット台紙使用（色指定可）
- 納期目安：約10〜14日（混雑状況により変動）
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壁面や既存額装とのバランスなども踏まえて、最適な額装をご提案いたします。
額装例ギャラリー
シンプル金縁プラン
控えめで上品なフレームとマットを使用した、シンプルな美しさが特長のプランです。
アンティーク調フレームプラン
クラシカルな彫刻や金箔風の装飾が作品と空間に深みを与えます。
クラシック装飾プラン
華やかな装飾フレームを用いた、格調高い展示にも映える額装です。
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About the condition
This work is an original antique print created over 100 years ago.
All works sold by Rivoli Antiques are genuine pieces of artistic value printed at the time, and are not later reproductions or copies.
Due to their nature, antique prints rarely come with individual certificates of authenticity like contemporary works.
Therefore, where you buy and who is in charge of selecting the works are of utmost importance.
At Rivoli Antiques, we carefully select our items based on the trust we have built through many years of collaboration with museums and experts.
We only introduce works that you can safely add to your collection.
Natural fading and stains may appear over time, but these are also proof of the era the piece has passed through and are elements that convey the texture of the materials and techniques used to create it.
You can also come and see the paintings in person at the gallery to check their condition, so please feel free to contact us if you have any questions.
About the store and reliability
At Rivoli Antiques, we have a track record of lending works to the Tokyo National Museum and the British Museum, and we present works according to museum-level selection criteria.
We have established a system that allows you to purchase and collect with peace of mind.
Please feel free to contact us for collection creation or consultation.
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