Théophile Steinlen, "Who is the biggest loser?", 1898, Antique print from "Cats"
A dog, a cat, and a boy - how will this little love triangle surrounding Tartine end?
Théophile-Alexandre Steinlen, who was active in Paris at the end of the 19th century, depicted humorous events in everyday life through the figures of animals such as cats and dogs. This work, "Who is the biggest loser (Le plus vexé des trois)," is a silent cartoon included in "Des Chats" published in 1898.
The story begins with a boy holding a delicious-looking tartine (a light snack of bread spread with cheese and butter). Seeing it, a dog and a cat rush over. The boy struggles to calm the situation, even as he is bossed around by the two animals. But who ends up losing the most? Don't miss the cat's proud expression.
As the title "Le plus vexé des trois (Who of the three was the most upset?)" suggests, this piece is an allegory filled with "humorous questions." In a small fight over food, it depicts greed, dissatisfaction, and even a touch of melancholy.
This masterpiece combines Steinlen's unique observational sharpness and sarcasm, making you laugh quietly and making you think a little.
Information
Artist: Théophile-Alexandre Steinlen
Title of work: Who lost the most (Le plus vexé des trois)
Year of production: 1898
Condition: Antique print, 1 piece
Size: Approx. 39 x 29 cm
Artist / Title: Théophile-Alexandre Steinlen / Le plus vexé des trois (Antique Print, 1898)
*The frame in the image is for reference only. Please contact us regarding framing.
Related links
If you would like to know more about the works, please visit Ribo Antiques' special page (separate site).
Black Cat and Steinlan (another site)
The first art book in Japan to feature Steinlen's cats, "Steinlen, the Black Cat Cartoonist," is also on sale now!
Black cat cartoonist Stanlan
All Authentic. All Original.
--All genuine, all original.
This work is an original antique print made over 100 years ago.
All works sold at Rivoli Antiques are genuine works of artistic value that were printed at the time, and are not later reproductions or copies.
Framing options
This work is usually provided unframed so that you can enjoy the original charm of the work as it is, taking into consideration the preservation of the paper and its use as a collection.
If desired, we offer a custom framing plan (additional charge) in which we will select and suggest a frame for you. We can frame your work with consideration for artistic balance, the color of the work, and harmony with your interior decor.
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The content is focused on UV-blocking acrylic and artistic harmony. For details and prices, please click here.
▶ [Framing Plan Information (PDF)]
About the condition
This work is an original antique print created over 100 years ago.
All works sold by Rivoli Antiques are genuine pieces of artistic value printed at the time, and are not later reproductions or copies.
Due to their nature, antique prints rarely come with individual certificates of authenticity like contemporary works.
Therefore, where you buy and who is in charge of selecting the works are of utmost importance.
At Rivoli Antiques, we carefully select our items based on the trust we have built through many years of collaboration with museums and experts.
We only introduce works that you can safely add to your collection.
Natural fading and stains may appear over time, but these are also proof of the era the piece has passed through and are elements that convey the texture of the materials and techniques used to create it.
You can also come and see the paintings in person at the gallery to check their condition, so please feel free to contact us if you have any questions.
About the store and reliability
At Rivoli Antiques, we have a track record of lending works to the Tokyo National Museum and the British Museum, and we present works according to museum-level selection criteria.
We have established a system that allows you to purchase and collect with peace of mind.
Please feel free to contact us for collection creation or consultation.
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